Saturday, September 22, 2007

Port Moresby's Colourful History

War time Port Moresby

Port Moresby, the capital of Papua New Guinea, has a colourful history behind it, particularly during World War 11 when it saved Australia from being invaded by the Japanese.
Many of our young people also do not know of the pivotal role our capital city played in swaying the tide of WW11.

Long before the arrival of the white man, the Motuan people of the area now known as Port Moresby, traded their pots for sago, other food and canoe logs, with their partners from the Gulf of Papua.They sailed from Hanuabada and other villages, built on silts above the waters of the bay.They also intermarried with the Gulf people and created strong family and trade links.

The Hiri expeditions were large-scale.As many as 20 multi-hulled canoes or lakatoi, crewed by some 600 men, carried about 20,000 clay pots on each journey.To the Motuans, the Hiri was not only an economic enterprise but they also confirmed their identity as a tribe because of the long and dangerous voyages.These voyages are commemorated in modern times by the annual Hiri Moale Festival held at Ela Beach in September.

The area was already an important trade centre by the time Captain John Moresby, of HMS Basilisk, first identified the area of the site later to become known as Port Moresby.

The Englishman had just ventured through the Coral Sea at the eastern end of New Guinea and upon encountering three previously unknown islands landed there.
At 10 o’clock in the morning of the 20th February, 1873, he claimed the land for Britain and named it after his father, Admiral Sir Fairfax Moresby.He called the inner reach “Fairfax Harbour” and the other “Port Moresby”.

Actual European settlement of the site did not occur until a decade later when the south-eastern part of New Guinea island was annexed to British Empire. British New Guinea was passed to the newly established Commonwealth of Australia in 1906, and became known as Papua.

From then until 1941 Port Moresby grew slowly.The main growth was on the peninsula, where port facilities and other services were gradually improved.Electricity was introduced in 1925 and piped water supply was provided in 1941.

Before WWII, Port Moresby was a small administrative center for the Australian territories of Papua and New Guinea.

During the war it was the strategic objective of the Japanese during the Battle of Coral Sea and the overland during the Kokoda Trail campaign.Japanese invasion attempts were unsuccessful, but the area was subjected to many air attacks.

Japanese air raids against Port Moresby started on February 2, 1942, and continued until April 12, 1943 (plus later nighttime harassment raids).The area became a major American and Australian staging area and airfield complex in support of the Allied push to the north of New Guinea



On January 23, 1942, the Japanese landed at Kavieng on New Ireland and at Rabaul on New Britain where they quickly overcame the Australian defenders.On March 8, the Japanese established themselves firmly at Lae and Salamaua in Morobe.

However, the Battle of the Coral Sea from May 5 to 8 averted a Japanese sea borne invasion of Port Moresby and the American success at the Battle of Midway in June not only destroyed Japan’s capacity for undertaking long range offensives but also provided the Americans with the opportunity to move from the defensive to the offensive.

The Japanese, who were regularly bombing Port Moresby with twenty to thirty bombers with fighter escort, decided on the overland attack across the Owen Stanley Range.
It was on July 21, 1942, that Japanese troops landed on the northern coast of then New Guinea and unexpectedly began to march over the Owen Stanley Ranges with the intent of capturing Port Moresby.

On the Kododa Trail the Australian 7th Division resisted the Japanese General Horii’s overland attempt to capture Port Moresby, and the advance was halted within 30 miles of the city.
Had they succeeded, the mainland of Australia would have come under dire threat.
Kokoda was arguably Australia’s most significant campaign of the Second World War.
More Australians died in the seven months of fighting in Papua, and the Japanese came closer to Australia, than in any other campaign.

Many of those young Australians, whose average age was between 18 and 19, now lie buried at the Bomana War Cemetery outside Port Moresby.Port Moresby (Bomana) War Cemetery is about 19 kilometres north of Port Moresby on the road to Nine-Mile, and is approached from the main road by a short side road called Pilgrims Way.The cemetery contains 3,819 Commonwealth burials of the Second World War, 702 of them unidentified.

Bomana War Cemetary

Port Moresby has grown considerably since the end of World War 11 and many traces of the war have been removed or disappeared, but airfields and dive sites still remain.

Down Town Port Moresby

The city is home to the PNG National Museum with a collection of war relics and artifacts.
One of the best-known landmarks in the city is the wreck of the motor vessel Macdhui.The vessel, sunk in the harbour by Japanese bombs in 1942, is plainly visible on the reef near Tatana Island.

Numerous WW11 aircraft wrecks lie in shallow water around the coast or on the reefs near Port Moresby and can be viewed by diving.

Nearly the entire city has some connections with World War II. These include Port Moresby (Town) Prewar town and wharf area; Konedobu Northern area of the town; Kaevaga North of Konedobu ; Waigani former 5-Mile Wards Drome and the PNG goverment headquarters; Gordons South-east of Waigani PNG Modern History Museum; Boroko Located to the east of town ; Gerehu Area to the north of the present day University of PNG; Kila Kila East of Port Moresby town, former 3-Mile Drome; Mount Lawes Peak behind Port Moresby; Fairfax Harbor Port Moresby’s Harbor; Bootless Bay Inlet to the east of Port Moresby; Idlers Bay Inlet to the west of Port Moresby, Roku village; Joyce Bay Bay to the east of Port Moresby, Local Island


Present day Waigani Drive

By 1944, Port Moresby had six airfields. Jackson was the largest, and was named after Australian ace pilot John Jackson, leader of RAAF Squadron 75, who was killed in a dogfight against Japanese planes over Port Moresby on April 28, 1942.

Wartime airfields in the area included the following: Kila Drome (3 Mile) Airfield for fighters and bombers; Ward Drome (5 Mile) Airfield for heavy bombers and transport planes; Jackson Airport (7 Mile) Main airfield still in use today by Air Nugini; Berry Drome (12 Mile) Fighter and medium bomber base near Bomana; Schwimmer (14 Mile) Fighter and medium bomber base; Durand Airstrip (17 Mile) Fighter and medium bomber base; Rogers (Rarona, 30 Mile) Fighter and medium bomber base; Fisherman’s (Daugo) Emergency landing strip on off shore island

There are a number of abandoned gun emplacements, bunkers and fortifications.
These were constructed by Australian Engineers in 1944, but never used, then abandoned after the war: Basalisk Battery Largest, three gun battery to the west of Moresby; Paga Hill Battery Gun battery and radar set location hill outside Moresby; Gemo Island Battery Gun position on offshore island, overlooking the east; Bootless Bay Battery Gun position at Bootless Bay; Boera Battery Gun position west of Port Moresby.

Source: The National Online

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Sunday, September 16, 2007

Happy Independence

The Infamous Scribblers wish our fellow Papua New Guineans a Happy 32nd Independence Day

Feel free to share what you got up to for Independence Day or your views on independence.

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Independence and Moti

It is a sad fact that in the past there has been a number of serious incidents that have taken place within the governments of the day. They have involved prime ministers, ministers and a host of elected members.

Some of these matters have galvanised the nation.

For as a people, we tend to flare with anger at dramatic incidents and then forget them with equal facility and remarkable speed.

As a result, incidents involving political wheeling and dealing have frequently been obliterated from public awareness by some other more exciting or eye-catching events.
Worse, our politicians have learned how to harness this phenomenon. Troubling political or leadership revelations are today often accompanied by some highly commendable public gesture on the part of the targeted individual or group.

The troubling revelations vanish from the national consciousness overnight.
On the eve of our 32nd year as a sovereign nation, we hail the many and varied achievements of our people and our leaders. But if our reputation as a law abiding nation is to be buttressed, there can be no more prevarication.

The Moti Affair is now public property. There are questions to be answered.

It’s time.

SOURCE: The National Online for the full article click here

What are your views on the ways ministers handle these incidents? What do you think of the way the PM has handled the Moti Affair? Do you agree that these incidents "vanish from the national consciousness overnight" and if so what do you propose be done about it?

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Wednesday, September 12, 2007

Death of the MacDhui


By Malum Nalu
A small, but significant, anniversary took place on Monday June 18, 2007.
That was the 65th anniversary of the sinking of the motor vessel Macdhui, sunk in the Port Moresby harbour by Japanese bombs in June 1942.

One of the best-known landmarks in Port Moresby is the wreck of the Macdhui in the waters just off the Port Moresby Technical College at Kanudi.
Many people just drive or walk past without knowing the significant role that the Macdhui played in the development of Papua New Guinea.

Recently, I was asked to be a tour guide for a retired US veteran of the Korean and Vietnam wars, and one of the World War 11 relics I showed him was the wreck of the Macdhui. As we stood at Kanudi looking out to sea, I wondered what stories the deep blue sea, the rolling hills, and the wide sky could tell me about what they saw that fateful day in 1942.It was then that I realised that June 18, 2007, would be the 65th anniversary of the sinking of the Macdhui and decided to put pen to paper.

The Macdhui, 4630 tonnes, built in Glasgow, Scotland, in 1930, was owned and operated on the Australia-Papua New Guinea service by Burns Philp and Company Limited.Macdhui’s maiden voyage took place in March 1931, sailing to Suva, Fiji, via the Azores, Jamaica, and the Panama Canal, with a load of coal.

Then the Sydney to Rabaul route for Burns Philip with 167 first-class passengers’ accomodation.
On June 20, 1931, a fire broke out on another voyage between Madang and Lae, but the passengers were safely taken ashore in lifeboats.

MacDhui was safely towed to Salamaua, New Guinea's then administrative capital, by Neptuna, another Burns Philp & Co vessel. After patching at Salamaua, MacDhui was sailed to Sydney for six weeks of repairs. With the onset of war the ship was commandeered by the Navy and used to evacuate civilians from New Guinea, then carrying Australian troops back to Port Moresby.

On June 17, 1942, the Macdhui was attacked by Japanese bombers as it was discharging to lighters in Port Moresby harbour.It began zigzagging around the harbour but took one direct hit which caused considerable damage.The vessel later went alongside the main wharf to unload dead and wounded.

The next day, at 10.45am, there was another air-raid warning and the Macdhui moved out into the harbour and began manoeuvring.Soon after the raid began, it took a direct hit.The captain headed towards shallow water where his ship finally keeled over onto a reef. Ten of the crew of 77 were killed along with five Australian gunners from 39 Battalion. Altogether, the Macdhui took four direct hits.

The dramatic sinking was captured on a black and white movie film shot by the famous Australian cameraman, Damien Parer from a nearby hilltop.The loss of the Macdhui was a great blow to the morale of the Australian troops in Port Moresby.

Until then it had been the only regular and reliable link between Australia and Port Moresby.

After the war, the Australian government compensated Burns Philp for its loss.The wreck itself is now deeply pitted and corroded under the waterline. It is gradually breaking up but even if it does slip completely under the surface part of the Macdhui will remain in Port Moresby.

In the late 1960s the mast was removed and now stands outside the Royal Papua Yacht Club as a memorial to those who died. One of the bells was erected in the tower of St John’s Anglican Church in Port Moresby and to this day still calls parishioners to worship.

Former vice-commodore of the Royal Papua Yacht Club, Trevor Kerr, tells of a supernatural experience in 1979 when the ashes of the late Captain J. Campbell, skipper of the Macdhui, were laid to rest with his ship. The powered launch Tina, owned and skippered by yacht club committee member Russ Behan, approached the wreck with Captain Campbell’s two sons, a United Church minister, and Kerr on board.

“The weather in the harbour was unusually placid, not a zephyr stirred,” writes former Port Moresby diver Neil Whiting in Wreck and Reefs of Port Moresby.

“The sea was so clear that the superstructure of the Macdhui could be seen below the surface of the water.

“There was not a ripple on the surface or current drift to break the calm.

“With heads bowed in prayer, the United Church minister upturned the urn containing Captain Campbell’s ashes and scattered the contents into the sea.

“Trevor, observing the ceremony in a more detached fashion than the others, observed the most amazing sequence of events.

“The ashes initially clouded the water as one would expect, but almost immediately condensed into a form similar to a teardrop.

“Then, the most amazing phenomenon occurred.

“The teardrop cloud quite rapidly crossed the six-metre intervening gap between the Tina and the Macdhui and disappeared into the hull.

“At a nudge from Trevor, Russ glanced up and also observed the incredible event.

“The engines of the launch were quickly started and in a state of chilled awe, the funeral party motored away.

“Captain Campbell had returned to his ship.”

SOURCE: http://malumnalu.blogspot.com/

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Sunday, September 9, 2007

The Miseducation of Lauryn Hill

I was 13 or 14 when I first heard The miseducation of Lauryn Hill. I was probably too young to grasp some of its content and its meaning but that didn't stop me from playing it. It was in retrospect the first album by a female artist that I had listened to in depth. It got me with its smooth sounds, funky beats and its lyrics (which I would try to sing along to when I played it).

Released in 1998 the album had 14 tracks listed on it's album cover but it contained 2 hidden tracks (if memory serves me correctly). It featured D'Angelo (nothing even matters) and Mary J Blige (I used to love him) as guest artists and I recently learned that John Legend played the piano accompaniment on the track Everything is Everything.



She talks about the complexities and beauty of love and relationships in tracks like "tell him", "ex-factor", "when it hurts so bad", "nothing even matters" and "I used to love him". On "superstar" I think she was talking about music not inspiring whilst on "to zion" she sings about her son Zion and that whilst his may not have a been a planned pregnancy she's happy and feels blessed to be having him. Then there are the inspirational songs like "everything is everything". "doo wop"'s chorus serves like a warning while in the verses she sings about young people selling ourselves short, asking us to reassess what's important.



Video: Doo Wop (that thing) 1998

I haven't covered all the songs on the album but clearly its an album that was worth all its acclaim. It won 5 Grammy awards, was ranked #37 on Vh1's Greatest album of all time while on Rolling Stone magazine it ranked #312 on their list of the 500 greatest albums of all time.

Click here to listen to the tracks and view its lyrics.

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Thursday, September 6, 2007

To bonk or not to bonk: that is the question

Inspired by the famous line in Shakespeare's play Hamlet, the line"to bonk or not to bonk: that is the question" was used in a lecture I attended a few months ago. Although the lecturer posed this question objectively to demonstrate how cultural backgrounds affect attitudes towards sex (much to the amusement of the students present in the lecture theatre), this post will specifically look at why women have one night stands and how this supposedly "enthralling and exhilarating" experience has some rather negative consequences. In particular, the arguments of Amy in her post "An Open Letter to Mad Sheila" on the Feminist Reprise blog will be examined in order draw some feminist feedback on this debatable topic.
This post raised a number of issues which I believe require me to delve deeper in order for me to really establish what my personal stance on this controversial issue is.
First of all, I totally agree with the author in terms of women having the right to exercise sexual autonomy without being labelled a 'slut' or 'whore'. I believe that this form of labelling (either made by women OR men) not only spits in the face of women who have positively contributed to society, it is also an automatic insult and ignorance of a woman's intelligence and skills - outside of the bedroom. Not only is it bad enough to hear such insults being made by members of the opposite sex, it is even more questionable when made by WOMEN ourselves. It could also be argued that such insults are 'patriarchal terms' i.e terms developed by misyoginists (aka pigs) who have a warped perception of a world where there are no equal standards between the sexes - a world where women are inferior than men; a world where women must comply with male authority. In addition, a woman's compliance or subjectivity to 'patriarchy' is also an issue questioned by the author.
Undoubtedly, a one night stand involves the act of "picking up" with the express purpose of having sex with no initial intention of entering a long-term commitment. I agree with the author on the basis that having sixteen sexual partners in two years contributes to one's decrease in self-respect for her body and detrimentally affects one's self-esteem. However, I totally disagree with her blaming 'patriarchy' for her depressive state (ie feeling worthless).

"I was playing out a script written by patriarchy, one which says that a woman isworthless unless she has a man, and the way to get a man is to be sexuallyavailable. I believed—because patriarchy told me so—that by acting hawt andsexxeee* enough, I could hook a man into staying with me."
I don't believe patriarchy dictates that women are incomplete or worthless without a man. I think there is a natural and biological reason why humans are attracted to each other. Patriarchy isn't to blame: it is due to our own mindlessness or lack of exercising our own individual intelligence, caution, power that dictates the decisions we make. I don't think that patriarchy should be given a name and be made out to look like a tyrant because once women start blaming supposedly conspirated ideologies, then our taunts and anguish over our supposed subjectivity and dominance by men is the product of our own lack of intelligence - we are incarcerated by our own thoughts. Women should stop looking for excuses and reasons to justify their misguided decisions (even if being drunk is to blame) and should start being assertive and taking responsibility for their own actions instead of replaying the 'damsel in distress' scene over and over again. Blame 'I' not 'It" - admit it was a mistake (if it indeed was) or be honest and say "yes, it was I who got too drunk and had no fckn clue what I was doing." Don't be fckn mindless but admit personal fault because immediately once you start blaming patriarchy, you contribute to your own subjectivity and inferiority.
I don't think all one night stands are bad at all. Yes, there may be occassions where you didn't need a penis in your vagina in hindsight, but I think that one night stands are great when the attraction is mutual and a high level of respect is exchanged - knowing that you aren't too drunk or mindless of the fact that he is not attracted to you, however you have provided with him with the opportunity of using your body. So therefore, I must once again disagree with the author when she states:
"I justified this behavior to myself, despite how unhappy it mademe, with the Cosmo ideology that“I don’t care about love, respect, andall that boring monogamy stuff. I just want a good regular fuck, and Idon’t really care who it's with.”
Here Amy limits respect only to monogamous relationships. Respect and connection is essential for a one night stand too! When respect is not present, then maybe one should start questioning her own values and then maybe admit that she was indeed used for solely one man's sexual gratification and that as a result, she was degraded as a woman, blah, blah, blah. Next, she should ask one very serious question: was this self-inflicted? Think again next time...
An excerpt from the posting which I believe every woman should read in order to clarify her expectations about casual sex or even as a disclaimer/warning before engaging in such activities refers to the following:
"So to the woman who really, truly, honestly says to herself, "Gee, tonight Ijust want a penis in my vagina. That's really all I want, and so I'm going to goout and find that," I say, go sheila. But the minute any other desire creeps inthere--a yen for respect, say, for human connection, or even, dare I say it, for"good" sex from a woman's perspective--I would counsel that sheila to hold herhorses. if you want to be cared about and listened to, if you have any desire tobe acknowledged as a complex human being with an intellect and a soul, I wouldventure, random randy anonymous sheila, that fucking a stranger might not be themost effective vehicle to take you to your destination."
Before I conclude and finish this post, I would like to refer to an excellent article I found entitled "Critique of hookups doesn't reflect reality" by Adda Birnir and Basha Rubin published in Yale Daily News (03.06.2007). Here is an excerpt:
"Neither casual sex or committed sex is anunmitigated ideal; rather, it is how we approach them and what we expect of themthat becomes problematic. "
I will end this post with words I believe are very important (excerpt taken from same article):
"If we talk about “hooking up”more, as a society, a community, or among friends, we can develop a vocabulary,an understanding that it is deep and profound and complex and murky for allparties involved — but can also be enjoyable, safe and even, dare we suggest,beautiful... we believe that the answer is not to condemnany of the behavior.... What our generation needs is toforge a way to discuss these issues openly and honestly with our friends, ourlovers and our society at large. Of course, there is a problem that women oftenfeel abused or used by their casual sexual relationships. So, let’s create anenvironment where women can assert themselves and their sexual and emotionaldesires without being pushed into the old categories of chaste, respectable wifeor damaged slut. "

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Tuesday, September 4, 2007

Still I rise - Maya Angelou

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.

Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?

Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise

I rise
I rise.

SOURCE: http://www.math.buffalo.edu/~sww/angelou/poems-ma.html#phen

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Love's Deceit by Cee Lo Green

Pleasure turns to the pain
Lessons learned from the strain
Questions burned in my brain..
About whether love is humane in its touch.

These thoughts are like salmon swimming upstream
In the tears of your deceit.
Fighting the current hurt that kills more than is created by the chaos
of our intertwined emotions.

Chaotic because the anchor of Eros' arrow has been plucked
from the vessel of my undying infatuation
Separation not as simple as the distance between us
My mind no longer possessed by demons that have been the overseers of my enslavement to your lies

The seeds of these lies rooted so deeply
They have cracked the foundation of what we once shared
Allowing the faith in us I had sealed inside to gush out like a river
ripping the image of our future together from my thoughts
as violently and as brutally as if it were a child
being taken from its mothers arms

I'm left surrounded in darkness
but i refuse to be swallowed by it
my loneliness like the night air
invisible to the eye, obvious to the touch,it is cold uncomfortableness

Yet if i could do it all over again
I'd do it in the same skin I'm in
To lay down and let love die
just stay down and let love lie?
no, no..not I

I'd stay around and let love fly
Even though i have seen its darkest form-deceit
Nothing else could taste this warm or feel this sweet...

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